Matt Louge: Empty Los Angeles

Un projet et une série de clichés urbains intitulée “Empty LA” et prise par le photographe Matt Louge. Il permet de montrer la ville de Los Angeles d’une manière inattendue, vidée de toute population ou traffic. A découvrir de manière complète, dans la suite de l’article.



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Emircan Soksan

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iphone camera specifications

iPhone backside, dissected, camera module visible

Focal length: 3,85mm (equivalent to 37,0mm)
Aperture: f/2,8 (fixed)
Focus: infinity (manually adjustable to 2cm)
Sensitivity: Auto ISO
Shutter speed: 1/5s fixed (light sensitivity is only regulated by per-pixel-ISO)
Depth of field: 1,47m to infinity
Sensor size: 1/4"
Resolution: 1600x1200px
Dynamic range: 6,3 f-stops
Color space: sRGB, automatic white balance
Dimensions: 8mm x 8mm x 5mm

Read further for a full detailed explanation:
  • We can exclude lenses for a 1/3" sensor, as the camera module is only 0.32" wide. That means, 1/4" CMOS or smaller was used.
  • The CMOS manufacturer provides two models for 2MP, both 1/4" in size. The mt9d012d00stc
    differs from the mt9d014d00stc only in the frame speed. Because the
    iPhone "
    isn't made for video", I suppose the chip doesn't have an analog output - which leaves the variable-fps d012. The data sheet is under NDA, but the Flyer provides enough information.
  • CMOS data: Resolution: 2MP (1600x1200)
  • Pixel size: 2,2µm²
  • Imaging area: 3,56mm x 2,68mm -> equals a crop factor of 9,62
  • and a circle of confusion of 0,036mm after the lowpass-filter
  • Color filter: Bayer pattern
  • Dynamic
    range: 59,5dB -> equals a lighting control range of 10 f-stops ->
    important, because there is no mechanical aperture control
  • Signal-to-Noise-Ratio: 37,7dB -> equals the dynamic range from photography world:
  • 6,3 f-stops dynamic range -> that really is below average (a good DSLR can do 11)
  • Flash support: Xenon / LED -> post-production flash mod, anyone?
  • Rolling shutter -> 0.2 sec fixed shutter speed (see: the longest exposure time)
  • If you compare the original camera module in the iphone with the manufacturer's site, you'll see that the NB970 fits all the specifications, but has a far too big lens.
  • This impression is reverted after a short glimpse into the details section, where the front seems to be strikingly similar to all other camera modules.
  • Here, EFL (3,85) stands for effective focal length and TTL (5,0) for total length (of the physical module).
  • FNO means f-number, the (maximum/standard) aperture of 2,8.
  • Additionally,
    the f/2,8 is confirmed by the camera EXIF data. I cannot confirm the
    characteristic cross shape at the front on the lens based on the photo
    at iFixit. But, presuming that all these data are describing the
    correct items, these are now the most accurate informations about the
    iPhone camera on the 'web.

Opening a JPEG in CameraRaw

Starting with Camera Raw 4.1, you can now open and process JPEG photos in the Adobe Camera Raw dialog. If you’re in Bridge, select a JPEG photo that you want to edit. Then go to the File menu and choose Open in Camera Raw. You can also just press Command-R (PC: Ctrl-R) instead of going through the menu.

Removing dust and scratches from film scans

Tutorial: Fauxmography

Tutorial: High End Skin Retouching

Advanced Body Retouching

A professional photographer walks you through a typical post-processing session before arriving at his final product.



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Tutorial: Tilt Shift

Preparing For This Tutorial:

You will be using a picture of this town. If you do not have this image, please scroll down to the image of “Click Picture To Download Supporting Files” and download the image. Please open the image PE-MIN in the Photoshop Program.

Finding The Right Picture:

Have you ever looked at a miniature model? If so, you will find that most of the time you are viewing the model by looking down at it. You will also see that the light source is coming from above. With that said, some photos are easier to fool the eyes into thinking that it is a miniature model. Usually a picture that was taken above the objects and the light source is also coming from above will easily fool the person into thinking that it is a miniature model.

The technical term for fooling the eyes is tilt shift. You can buy tilt shift lens for your camera or you can do post processing in Photoshop.

Photoshop Education Steps:

The way we tilt shift is not new and if you search for tutorials you will find many different ways to blur everything, except a small portion of the image. This tutorial is considered for beginners and you will find that there are more advanced tutorials on the Internet that expands on your knowledge, but the basic tilt shifting is done the same way.

Tilt Shift:

Once you have the image opened in Photoshop, duplicate the background layer (CTRL-“J”). For this document, we renamed the top layer “Tilt Shift”.

Left click the layer mask button in the layers palette.

Layer Palette

The layers palette should now look like this.
Tilt Shift Layer

Reset your foreground/background colors with the keyboard shortcut “D”. Now let’s flip the black to the foreground with the “X” key on the keyboard.

Left click the Gradient tool in a 2 column toolbox. Feel free to read the Gradient And Paint Bucket Tools or More Gradients Please tutorials, which explains how to use the Gradient tool.

Gradient Toolbox

In the Gradient options bar, please set the following settings.

A). Make sure the preset is set to foreground to transparency.

B). Left click the “Reflected Gradient” option.

Gradient Options

This next step is trial and error. It is extremely important to get this step right. Don’t worry if it is not exactly perfect, because we will show you a way to correct any blurring issues.

Start by moving the mouse pointer a little below the peak of the house. HOLD down the “Shift” key on the keyboard to draw a straight line. Hold down the Left mouse button and drag the pointer to the roof line (see red arrow below). Release the Left mouse button and the “Shift” key on the keyboard.

Using Gradient Tool

You may be thinking, “But it did not do anything”. Don’t worry, the next step will show you that you actually created a nice layer mask. Notice the darker area of the layer mask in the layers palette.

Layer Mask

Now Left click on the image of the “Tilt Shift” layer. When selected, you will see a square box will be around the thumbnail in the layers palette.

Layer Palette

It’s time to blur the image. Left click the “Filter” menu and move the mouse pointer to the “Blur” menu. From the sub-menu Left click the “Lens Blur…” command.

Photoshop Tip – If you do not see the “Lens Blur…” command, than that means you are using an older version of Photoshop. Try “Gaussian Blur..” if you are using an older version.

Lens Blur

Here are the basic settings for the Lens Blur filter.

A). Left click the down arrow and Left click the “Layer Mask” source.

B). Play with the Radius setting to get the correct Lens Blur amount. 14 for this one.
C). Make sure the Preview option is checked.

D). Left click the “OK” button to apply the changes or Left click “Cancel”.

Lens Blur Options

This image is tougher to blur, because usually you do not want certain objects to be partially blurred. Here is our current picture.

Basic Of Tilt Shift

It is time to correct the blurred areas of the image. Determine which objects should be completely focused and hide the blur with the layer mask. In the layers palette, Left click the layer mask.

Fix Layer Mask

Change the tool to the paint brush and make sure your foreground color is black. Back in the Masking And Transform Information or More Masks Please tutorials, we explained to you about the difference between a black and white color. You can change the brush size by using the “[“ (to decrease) and “]” to increase. Begin to paint over the buildings and areas that you want to no longer be blurred. You should not have objects that are partially blurred.

If you need to blur an area, use the “X” key on the keyboard to flip the foreground and background colors around. Here is our current image.

Miniature Model

Left click on the thumbnail of the layer image for the background layer in the layers palette. Most miniature models look plastic. An easy way to make the object look more plastic is by increasing the saturation. Use CTRL-“U” to be taken to the Hue/Saturation screen. For more information about this adjustment, please read the Hue And Saturation Adjustment tutorial.

For the “Master” setting, change the “Saturation” value to +19. DO NOT Left click “OK” yet.

Hue And Saturation  Settings

Change the selection to “Reds” and change the Saturation value to +19. Left click the “OK” button to apply the changes.

Hue And Saturation Settings

Here is our final image for this specific tutorial. There are a few more techniques beyond this tutorial that could make your miniature model look even better, but for now you have the basic understanding of how to create a tilt shift effect in Photoshop.

Tilt Shift Final

Conclusion:

You have just learned a basic technique to fool the eyes into thinking that the picture was taken of a miniature model. We explained that images that are taken from above are easier to fool a person with because usually when you are viewing a real miniature model, you are viewing it from above. By using the tools that you already know (layer mask, gradient, paint brush, and hue/saturation, this tutorial should have been very easy to follow.

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Tutorial per l'ingrandimento delle immagini in stampa

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